Client: The Twisted Pen
Industry: Fantasy Horror Author + Copywriting Services
Project Type: Brand Identity (Mini Package)
Timeline: 3 weeks
There's something powerful about building a brand for someone who refuses to play it safe. When my husband came to me ready to launch The Twisted Pen, he wasn't looking for a generic author brand. He needed something that could grow with him—flexible enough to handle multiple book launches with completely different vibes, but cohesive enough that people would always know it was him. And eventually, when he was ready to expand into copywriting services, the brand had to work for that too.
What made this different from most author branding work is that we weren't designing for one book. We were designing for an entire career. He writes fantasy horror, but each story lives in its own world—deep sea cosmic horror one day, gothic cathedrals the next. His brand couldn't lock him into one aesthetic. It had to be a foundation, not a cage.
So instead of creating one static logo, we built a modular system. The core elements stay constant—blackletter typography, engraving-style illustrations, Victorian details, and a foundation palette of black and cream. But the campaign-specific elements rotate with each book. Accent colors shift. Alternate logo marks adapt to the tone. The nautical ship works for "The Fathomless Calls" with its Lovecraftian dread, but the gothic window will carry the next book's cathedral energy.
The color strategy was where the magic happened. Foundation palette stays locked. But each book campaign gets its own accents. "The Fathomless Calls" launched with deep navy, cyan, and neon green for underwater horror. The next book? Blood red and shadow gray. Same brand. Different era. No redesign required.
Each book feels like its own event, but The Twisted Pen brand never disappears. Readers recognize the aesthetic immediately. And when he's ready to pivot into copywriting, the brand doesn't need a facelift—just new messaging.
The result? A book cover that looks like it belongs next to published authors who've been in the game for years. The brand reads as professional, literary, and distinctly horror without feeling cheap. When he adds copywriting services, the transition will be seamless.
“I love working with Rachel. She’s so funny, and even when I can’t get my words out correctly, she’s able to translate it into what she needs. Ironic, since I’m a writer. I look forward to working with her through my current and future projects.”
This is what happens when you design for the long game. The Twisted Pen isn't just a brand—it's a system.